Hip hop production is the creation of hip hop music in a recording studio. While the term encompasses all aspects of hip hop music creation, including recording the rapping of an MC, a turntablist or DJ providing a beat, playing samples and “scratching” using record players and the creation of a rhythmic backing track, using a drum machine or sequencer, it is most commonly used to refer to recording the instrumental, non-lyrical and non-vocal aspects of hip hop.

Pop is an onomatopoeic word for a small explosion or similar sound. It may also refer to:

Electronic dance music (EDM), also known as dance music, club music, or simply dance, is a broad range of percussive electronic music genres made largely for nightclubs, raves and festivals. It is generally produced for playback by disc jockeys who create seamless selections of tracks, called a mix by segueing from one recording to another. EDM producers also perform their music live in a concert or festival setting in what is sometimes called a live PA. In Europe, EDM is more commonly called ‘dance music’, or simply ‘dance’.In the late 1980s and early 1990s, following the emergence of raving, pirate radios and an upsurge of interest in club culture, EDM achieved widespread mainstream popularity in Europe. In the United States at that time, acceptance of dance culture was not universal; although both electro and Chicago house music were influential both in Europe and the United States, mainstream media outlets and the record industry remained openly hostile to it. There was also a perceived association between EDM and drug culture, which led governments at state and city level to enact laws and policies intended to halt the spread of rave culture.Subsequently, in the new millennium, the popularity of EDM increased globally, largely in Australia and the United States. By the early 2010s, the term “electronic dance music” and the initialism “EDM” was being pushed by the American music industry and music press in an effort to rebrand American rave culture. “Despite the industry’s attempt to create a specific EDM brand, the initialism remains in use as an umbrella term for multiple genres, including house, techno, trance, drum and bass, dubstep, and Trap music (EDM) as well as their respective subgenres.[5][6][7][8][9]”

A trap is a mechanical device used to capture or restrain an animal for purposes such as hunting, pest control, or ecological research.
Trap may also refer to:

Electro-industrial is a music genre that emerged from industrial music in the mid-1980s. While EBM (electronic body music) has a minimal structure and clean production, electro-industrial has a deep, complex and layered sound. The style was pioneered by Skinny Puppy, Front Line Assembly, and other groups, either from Canada or the Benelux. In the early 1990s, the style spawned the dark electro genre, and in the mid-/late-1990s, the aggrotech offshoot. The fan base for the style is linked to the rivethead subculture.

Tropicália (Portuguese pronunciation: [tɾopiˈkaʎɐ, tɾɔpiˈkaljɐ]), also known as Tropicalismo ([tɾopikɐˈlizmu, tɾɔpikaˈ-]), was a Brazilian artistic movement that arose in the late 1960s. It encompassed art forms such as theatre, poetry, and music. The movement was characterized by a combination of the popular and the avant-garde, as well as a fusion of traditional Brazilian culture with foreign influences.
Today, Tropicália is chiefly associated with the musical faction of the movement, which merged Brazilian and African rhythms with pop-rock. Musicians who were part of the movement include Caetano Veloso, Gilberto Gil, Os Mutantes, Gal Costa, Tom Zé, and the poet/lyricist Torquato Neto, all of whom participated in the 1968 album Tropicália: ou Panis et Circencis, which served as a musical manifesto.